Instead, Moore went full-on guerrilla filmmaker for the on-location shooting of Escape from Tomorrow. Moore didn't even consider requesting proper access to the park as he knew that his Lynchian take on the Magic Kingdom would undoubtedly be met with disapproval. After all, what's more wholesome and American than a typical nuclear family of four visiting the happiest place on earth? However, as the film soon reveals the darker layers beneath, we as an audience are left to ponder whether these layers are in fact a part of the external world or a part of an even darker corner of Jim's psyche, particularly his aberrant desires.Įscape from Tomorrow is immensely flawed, and doesn't fully use either its setting or its concept, but as previously mentioned the very fact that it exists is the main selling point. The tone and themes of the film are clearly trying to pay homage to any number of Lynch projects by portraying psychological and perhaps supernatural evils that exist under the artifice of blissful Americana. The film is pretty obvious when it comes to which films and filmmakers it is borrowing influence from, most notably David Lynch. Jim's mood is understandably irretrievably sour, though he fails to mention to either his wife or his two children, Elliott ( Jack Dalton) and Sara ( Katelynn Rodriguez), why he is so upset.Īs the day progresses, Jim experiences a series of unsettling hallucinations. Jim ( Roy Abramsohn), the father of two and husband to Emily ( Elena Schuber), gets a phone call first thing in the morning from his boss notifying him that he's been fired. The film skirts the line between realism and dream logic, largely leaving most of its events unexplained and up to interpretation. Escape from Tomorrow follows a family of four on their vacation to the Walt Disney World Resort in Florida, and a series of nightmarish travails ensue.
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